Entertainment, Music, Television

The Breakdown of Birit and Ventriloquist Monotonies in Mass Media

Whew! It’s been almost a week since I had my thesis bookbound. Just a few days away before this semester ends…

Yesterday, I attended the talk of Mr. James Gabrillo, a PhD candidate from the University of Cambridge, who presented his dissertation on the Music in Mass Media , 1990s and beyond. In his dissertation, he has presented the evolution of music for noontime shows, specifically in the Tuviera-produced Eat Bulaga, as well as the meaning behind the Aegis band’s songs.

Part of his study on Eat Bulaga included some of the singing competitions that existed during the 1990s, such as the Birit series (Baby, King, Queen), Ikaw at Echo, and Lola’s Playlist. Ikaw at Echo, similar to its predecessor, Gaya-Gaya Puto Maya, deals more with singer ventriloquisms where each participant was expected to almost exactly copy his/her idol’s voice, getup, and stage projection.

I reviewed my notes from Gabrillo’s presentation and compared it with my thesis notes on Tawag ng Tanghalan, which is a tad more current. I just watched one episode of the show’s Ultimate Resbak (Wildcard Round). I noticed that there are lesser biriteras, compared to last season. And at the same time, the jury (more known as the hurados), preferred contenders who rather “own” the songs they have chosen, instead of just performing them similarly to the original recordings. “Owning” the song meant that the participant is able to incorporate his/her own style (“may sariling bali,” in Tagalog), apart from being a biritera or someone who deals more on vocal pyrotechnics. I have also observed that the production team does its best to break the biritera monotony which I rather found more beneficial for the development of OPM. The Original Pilipino Music genre seriously needs to stand out more. It seriously needs to be more than just vocal pyrotechnics and ventriloquisms.

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Entertainment, Field Work, Music, Urban Ethnomusicology

Post-Thesis Thoughts

How are you all? My sincerest apologies for not blogging lately as I have been occupied with several school work. But I guess everybody’s doing fine at the moment. 🙂

Whew! Just a few weeks away and my thesis is now ready for bookbinding, after several weeks of coffee overdose, binge-eating episodes, and night owl sessions until around 2:30 am or 3am the next day. Yaaaaaszt! I was in tears yesterday because I did not expect to have it finished before the finals week has started. I just spread the good news to my past interviewees and they were all glad to hear about it. Thank you for sharing your time and ideas folks! Hope I will be able to catch up with you all and watch your gigs soon.

Setting all these drama aside, how was I able to complete a hundred-page publication in this short period of time? It’s all about planning smart (both as an adjective and Specific, Measurable, Attainable, Realistic, Time-bound).

I started looking for gigs through Facebook last January while I started doing participant observation activities in various gigs for February. I decided to hold these observation activities for the month of February because Valentine concerts are quite numerous. For the month of January, I have also looked for relevant literature to strengthen my discussion further. Interviews are also done through various means (e.g., personal appointments, Facebook Messenger, e-mail) within this period.

Speaking of participant observation, I also had to make sure that this is not the perfect time for fangirling to make things less biased. This is rather a time to document data (both stills and videos) for representation and jot down important details, which later became my basis for my interview questions.

I spent the whole part of March for writing. I have established a goal to finish everything before Holy Week break to allow myself to breathe, to relax, and to reflect. I was able to receive my corrected drafts around April so I spent the entire month of April for revisions. I have even declined several invitations to allow myself to focus.

On a side note, I have also asked for my peers’ advice on how to compose myself and set limitations.

Now is the month of May-ing (pun intended) and finishing touches and voila! #GRAD-WAITING status and a few tasks away in my other subjects. 🙂

 

 

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Entertainment, Field Work, Geography, Music, Sociology, Travel, Urban Ethnomusicology

Friendly Tips for Urban Ethnomusicologists (Field Researchers)

Mabuhay! My apologies for not blogging lately for I have been focused on doing my undergraduate thesis on the Ethnography of Live Professional Musicians in Metro Manila. In my thesis, I have been doing immersion trips in various live music scenes in Metro Manila, such as bars, TV studios, campus concerts, and even private events. Nevertheless, I’m having fun in the process. 🙂

Without further ado, here are some of a few tips to rock (en-roll) your urban ethnomusicological research.

  1. Reserve for your slot early in the TV studio. Nowadays, ABS-CBN is offering studio tour packages in order to watch either It’s Showtime (Php 205) or ASAP (Php 250) as a studio audience, without the need to go to the ABS-CBN Audience Entrance during dawn. However, the reservation should be done around two months before your desired date. Always check the KTX (Kapamilya Tickets) website (https://ktx.abs-cbn.com/) for available slots. Tickets for ASAP get sold out easily though 😦 For special cases, a letter of request (which should state your principal purpose) may be forwarded to the producers.
  2. If you would desire to watch a concert which involves performers with wide fan bases, buy your ticket as soon as the selling period starts. During the Cosmos UP Fair, a lot of people were not able to enter the Sunken Garden for the tickets have already been sold out, hours before the show. Since I went to the UP Fair solely for my thesis, I bought the ticket once the selling period has already started. Some concerts easily sell out like pancakes, such as the recently-concluded concert of Moira dela Torre at the Kia Theater. Even bar concert tickets get sold out easily!
  3. The PUVs and TNVs are your besties! Some venues may not have enough parking space so it’s best to take either the public utility vehicles or transport network vehicles (e.g. Uber, Grab) to bring you to the venue. However, exercise extra caution when traveling late at night. Safety is still your top priority.
  4. Always bring a small notebook and a camera. Unless the venue restricts video and photo documentation of performances, it is best to do documentation of the event by yourself to be able to note more details which you weren’t able to note during documentation. Videos are  “what-you-see-is-what-you-get” field records. In case there are video and photo documentation restrictions, feel free to request for videos from the company’s archives.
  5. Think about your questions carefully before conducting an interview. It is best to observe the event first before inviting someone for an interview. Doing such process may enable you to discuss your observations with him/her in which he/she will be able to interpret your observations better, as well as to refer you to more appropriate sources.
  6. Don’t just focus on observing the performance itself. It is best to interview both casual audiences and regular audiences (more of fans) to get their opinion towards the performance, as well as audience demographics. If allowed to do so, feel free to interview some of the production staff, as well as the performers themselves. For the case of mediated musicians or showbiz personalities, focus more on their performance practice, rather than the staple showbiz talkshow topics. Ask permission from their manager, as well. (Making a separate appointment is more recommended for interviewing showbiz personalities.)
  7. Dress accordingly. Some bars would strictly enforce the “smart-casual” dress code, especially in bars located in hotels. As for weddings, it is best to ask your contact person for the event’s theme and dress code. Decent casual (top and jeans) attire is recommended in most bars (e.g. 19 East) and TV studios so as not to upstage the hosts and performers.
  8. Enjoy, but always keep a keen eye and ear on important details. This is the number one rule for field researchers in general.
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