Music, Television

Himig Handog 2018: Love Songs and Love Stories Top 10 (REVIEW)

This Sunday, October 21, Himig Handog will feature “Dalawang Pag-ibig Niya” (a collaboration between Your Face Sounds Familiar Kids Season 2’s “Precious Darling” Krystal Brimner, Tawag ng Tanghalan Kids “Inday Wonder” Sheenna Belarmino, and MNL 48) and “Mas Mabuti Pa” (by Tawag ng Tanghalan Season 2 Grand Champion Janine Berdin). “Kababata” and “Sugarol” will also be featured. The grand finals will be held on November 25, 2018, also aired in ASAP.

This article will give you guys a sneak peek of each entry, as well as my reviews.

Here are the top 10 entries for this year’s Himig Handog Love Songs and Love Stories.

“Dalawang Pag-ibig Niya” is a collaboration between Tawag ng Tanghalan Kids’ “Inday Wonder” Sheenna Belarmino, Your Face Sounds Familiar Kids Season 2’s “Precious Darling” Krystal Brimner, and all-girl group MNL 48. The song was written by Bernard Reforsado of Albay. It is an EDM (Electronic Dance Music) fit for pre-teens, almost similar to K-Pop (think of Momoland) and J-Pop. The song speaks of a girl having a crush on someone who rather chose the girl who is more “pabebe” (acting cute) than her. It also talks about social media romances, such as stalking and existence of posers.

“Hati na Lang Tayo Sa Kanya” is interpreted by Tawag ng Tanghalan’s “Powerhouse Performer” Eumee and actor JC Santos. Written by Joseph Santiago of Quezon City, it talks about a woman’s willingness to share the love of her life with another woman. In fact, looking at the song’s lyrics, it is fit to become a soundtrack of a mistress-themed drama (e.g., The Legal Wife). It is a power ballad where Eumee’s voice was a mix of Jessie J and Lara Fabian (Remember Broken Vow?). While Eumee’s vocals characterized the “wife,” Santos’s speech signified the man being fought for. However, the song’s interpretation could have been more effective if another female singer would have a contrapuntal part with Eumee’s parts. The most I could idealize with this song is that the second female part would act as the “third wheel” or the “mistress.”

“Kababata,” written by John Micheal Edixon of Parañaque was an R&B ballad interpreted by Kyla and Kritiko. Reminiscent of Gloc 9’s themes, Kritiko’s parts narrated how his childhood with his girl friend went, until the girl underwent a major tragedy in her life. Kyla’s ad-libs in the part, “Bakit nila sa’yo ‘to nagawa?” signified the girl’s suffering, screaming for help.

“Mas Mabuti Pa,” is a collaborative work between Mhonver Lopez and Joanna Concepcion, both from Laguna, and sung by Tawag ng Tanghalan Season 2’s Grand Champion and “New Gem of OPM,” Janine Berdin. It is a pop-rock ballad, which spoke of a girl who gave up giving all her love as her efforts were rather snubbed. Despite her young age, Berdin was able to interpret the song to the extent that I got teary-eyed in most parts. She was also able to variate her dynamics as she maintained her husky pop-rock voice.

Robert William Pereña (of Dubai)’s “Para Sa Tabi,” is a light R&B song by BoybandPH. It talks about a man’s struggles being the “third wheel,” and reminds men not to rush things, especially love. The “Mama, para” hook was LSS-inducing that it would potentially become a radio hit soon. Their vocal blend was stellar, especially in the last line, “Diyan sa tabi,” that I would seriously recommend everyone to watch their ASAP performance video of the said song on YouTube. Attached is the link.

Kyle Raphael Borbon (of Davao)’s “Sa Mga Bituin Na Lang Ibubulong,” performed by actor JM de Guzman, is an indie ballad, synonymous to Sud’s. Unlike the rest of the entries, it is rather toned down.

“Sugarol,” written by Jan Sabili of Muntinlupa, is sung by actress Maris Racal. It is a waltz-like ballad, which talked about taking risks, despite experiencing false hopes in the past. The song could have progressed better if variations will be done in every stanza.

Sarah Jane Gandia (of USA)’s “Tinatapos Ko Na,” interpreted by Jona, talks about the closure of a romantic relationship. The song started quietly, which channeled Jona’s pure vocals as the instruments slowly entered. This song proved that Jona was more than just a belter. She was able to variate her dynamics, which enhanced the song’s heartbreaking theme.

Philip Arvin Janilla (of Antipolo)’s “Wakasan” is sung by Agsunta. The title may actually fool you because the song does not talk about closure. It talks about how society did not want the persona to become someone’s boyfriend. However, despite all odds, the persona does not give up until he is able to be with his loved one.

Last of the ten is “Wala Kang Alam,” sung by Tawag ng Tanghalan Season 1 First Runner-Up and “YouTube Idol” Sam Mangubat. It talks about how a man got left out of the blue in the middle of his struggles. It may pass as the male counterpart of Lopez and Concepcion’s “Mas Mabuti Pa.” It is a heavy ballad, synonymous to the ones sung by Martin Nievera and Gary Valenciano. The instrumentation, which was heavy on timpani and strings, were reminiscent of Homer Flores’s arrangements for most of the teleserye soundtracks.

Of all the ten entries, here is my top 5: Hati Na Lang Tayo Sa Kanya, Kababata, Mas Mabuti Pa, Tinatapos Ko Na, and Para Sa Tabi. While Para Sa Tabi may become a potential radio hit, the most heartfelt interpretations were Hati Na Lang Tayo Sa Kanya and Tinatapos Ko Na.

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Music

THE BIG THREE SONGWRITING COMPETITIONS: Philpop, Himig Handog, and ASOP

The season for songwriting competitions has come once again! Weeks ago, Himig Handog has already released its top ten song entries while Philpop has released its top 30 songs. As for ASOP, weekly eliminations are being held since December 2018.

With all of these updates, how does each songwriting competition differ from the other?

1. PHILPOP

The Philippine Popular Music Festival, more known as PHILPOP, is a project of the Philpop Music Fest Foundation established in 2012. It is a songwriting competition inspired by the defunct Metro Manila Popular Music Festival, more known as Metropop, where Philpop executive director Ryan Cayabyab became one of the winners with his entry, Kay Ganda ng Ating Musika. In 2012, the songs used to be released under Ivory Music and Video but 2013 and 2014 entries were under Universal Records. It was in 2015 up to the present when the songs were released under Viva Records.

Some of the songs from this competition that became major hits were the following: “Dati” (written by Thyro Alfaro and Yumi Lacsamana; interpreted by Sam Concepcion and Tippy Dos Santos), “Triangulo” (also by Alfaro and Lacsamana), and “Di Na Muli” (written by Jazz Nicolas and Wally Acolola; interpreted by Itchyworms and remade by Janine Teñoso).

Here are the top 30 songs for PHILPOP 2018:

2. Himig Handog P-Pop Love Songs

Himig Handog is a songwriting competition operated by media conglomerate ABS-CBN and its affiliate record label, Star Music (formerly known as Star Records). It was first held in the year 2000 as “Himig Handog Para Sa Bayaning Pilipino” where the song entries were pertinent to heroism, such as Arnel De Pano’s “Lipad ng Pangarap” (interpreted by Dessa), Trina Belamide’s “Para Sa’yo” (interpreted by Dianne dela Fuente and the Bataoke Kids). In the year 2001, the competition’s theme was geared towards the youth, where it was known as “JAM: Himig Handog Sa Makabagong Kabataan.”

It was only in the year 2002 when the said songwriting competition fully focused on love songs. Some of the songs that rose to fame from this competition were the following: Angelo Villegas and Allan Feliciano’s “This Guy’s In Love With You, Pare” (interpreted by Parokya ni Edgar frontman Chito Miranda), Gigi and Ronaldo Cordero’s “Hanggang” (interpreted by Wency Cornejo), Soc Vilanueva’s “Kung Ako Na Lang Sana” (interpreted by Bituin Escalante, Jungee Marcelo’s “Nasa Iyo Na Ang Lahat” (interpreted by singer-actor Daniel Padilla), Jovinor Tan’s “Anong Nangyari Sa Ating Dalawa?” (interpreted by Ice Seguerra), Francis Louis Salazar’s “Akin Ka Na Lang” (interpreted by Morissette Amon), Edwin Marollano’s “Mahal Ko O Mahal Ako” (interpreted by KZ Tandingan), Jovinor Tan’s “Pare, Mahal Mo Raw Ako” (interpreted by Michael Pangilinan), Meljohn Magno’s “Simpleng Tulad Mo” (also interpreted by Padilla), and Libertine Amistoso’s “Titibo-Tibo” (interpreted by Moira dela Torre).

For this year, here are the top 10 finalists.

3. A Song of Praise (ASOP)

A Song of Praise, more known as ASOP, is a songwriting competition conceptualized by Eliserio Soriano (of Ang Dating Daan) and Daniel Razon. While PHILPOP and Himig Handog focused on showcasing newer materials for the popular music scene, ASOP is geared towards religious and inspirational songs. (Think of Hillsongs and 2000s Jamie Rivera.)

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