Music

The Big Shot Experience

DISCLAIMER: This blog entry is based on the author’s experience as one of the performers in the said event.


Last September, my family was watching ASAP when the TNT Boys did a production number with ASAP Divas Morissette Amon, Bituin Escalante, and Klarisse de Guzman. The TNT Boys revealed that time that they are going to hold their major concert in Araneta Coliseum, much to my delight, as well as my mom’s. They started to sell the tickets a month after this, which signaled me to go to Ticketnet to buy a ticket as the concert tickets might sell out fast as the concert day goes near. I initially wanted to write a review on the TNT Boys’ concert since they have been making waves both here and abroad.


Guess what actually happened? I ended up becoming part of their sold-out concert, much to my excitement. But how?!


One Wednesday afternoon, I was doing my EPAPC duties at home (through my laptop) when my phone beeped. I got a Facebook message from TNT’s vocal coach Froilan Canlas who invited me to do backing vocals with the BFFC Singers (a vocal group composed of his supporters and friends) for the TNT Boys’ production number on Showtime, two days from then. I said “Yes” since my schedule was free on that day and this was a once-in-a-lifetime opportunity. 

Backup singer mode ON. Hmmm…  Know the assigned piece by heart. Don’t be late. Don’t forget your costume (Including makeup!). Those were the top three performer’s commandments. It was a good thing that I was still able to remember those top three rules so I was at my calmest during our performance in Showtime. I remembered being too stiff during my previous days as a chorister, especially in media-oriented events. What I did was just to focus on the performance itself: the parts, the blockings, as well as instructions from the stage manager. I kept on reminding myself constantly to just look at the studio audiences to counter my nervousness. Overall, our performance went well. We just had to wait for a few days regarding our possible appearance in the TNT Boys’ Concert in Araneta.

To know more about our stint with the TNT Boys in Showtime, here is the link: https://thewanderingmuseician.com/2018/11/18/hear-the-angels-voices/


It was roughly a week when we learned that the BFFC Singers’ performance in Araneta will push through. We were advised that apart from O Holy Night, Jingle Bells and Carol of the Bells will also be performed. Two sessions (Only went to one as I had evening classes in graduate school on the other day.) of technical rehearsals in ABS-CBN were held days before the performance.

NOVEMBER 30, 2018
The stars are born!!! The Big Shot Trio TNT Boys held their sold-out concert called “Listen: The Big Shot Concert” at the Araneta Coliseum with a jam-packed crowd. The Kids’ Choice Host Eric Nicolas, “Ate Girl” Jacque Gonzaga, and “Kuya Escort” Ion Perez were the front acts which helped the audience become more energized throughout the show. The TNT Boys commenced their show with an arrangement of Jennifer Holiday’s “And I Am Telling You” with an explosive “TNT” LED background. All three of them channeled their stellar vocal power and blend as they brought the entire house down. 
They next performed a cover of the Bee Gees’ “Words” and “Too Much Heaven,” the first impersonation they did in the second season of Your Face Sounds Familiar Kids, which became a viral video. It was followed by a performance of Queen’s “We Are The Champions,” together with Tawag ng Tanghalan Season 1 Grand Champion Noven Belleza, Tawag ng Tanghalan Kids Grand Champion Jhon Clyd Talili, and Tawag ng Tanghalan Season 2 Grand Champion Janine Berdin. They ended the segment with Queen’s “Somebody To Love.”


Your Face Sounds Familiar Kids alumni Xia Vigor, Onyok Pineda, Sheenna Belarmino, Noel Comia, Esang de Torres, Chun-sa Jung, and Krystal Brimner did a reprise of the impersonations they did in the said show. Xia, dressed as Taylor Swift, performed “You Belong With Me” while Onyok, dressed as Steven Tyler performed “I Don’t Wanna Miss A Thing.” Sheenna made the audiences cheer with amazement as she performed Adele’s “Rolling In The Deep” in the style and look of KZ Tandingan. Theater actors Noel Comia Jr. and Esang de Torres performed a la Mick Jagger and Liza Minnelli respectively where they showed their best in both vocal and stage projection. Chun-sa performed “All About That Bass” in both the vocal and fashion style of Meghan Trainor while theater actress Krystal Brimner showed the vulnerable side of Miley Cyrus as she performed “Wrecking Ball.” 


The TNT Boys brought the entire house once again as they returned onstage as Jessie J (Mackie), Ariana Grande (Keifer), and Nicki Minaj (Francis). They performed their winning piece in Your Face Sounds Familiar Kids called “Bang Bang.” Francis showed his swag-worthy but clearly-enunciated rapping skills and he was in Nicki’s character throughout the song.

A quick banter between the Big Shot Trio and singer comedienne K Brosas (dressed as Jessie J) took place before K performed a cover version of Jessie J’s “Price Tag.” 


The trio’s number with Your Face Sounds Familiar Kids coach Jed Madela was a powerful one, as they performed Sergio Mendes’s “Bridges” and Simon and Garfunkel’s “Bridge Over Troubled Water.” Their performance of “Bridge Over Troubled Water” reminded me of Eumee’s performance during the Tawag ng Tanghalan Season 1 Grand Finals because of the song’s last instrumental part. Jed finished the segment with his version of John Lennon’s “Stand By Me.”

Wtih Mr. Jed Madela


In one of the interviews conducted on ABS-CBN, the TNT Boys revealed that a dance number will be included, which they actually did in the concert. They performed a medley of K-Pop songs (Wondergirls’ “Nobody,” Blackpink’s “Ddu-Du Ddu-Du,” 2NE1’s “Fire,” and Momoland’s “Boom Boom”)  with a futuristic LED background, reminiscent of video games.

They next performed Spice Girls’ “Viva Forever,” with two aerial silk dancers, storybook-like setting, and male choir (from BFFC Singers) in the band area. It was followed by a heavenly version of Beyoncé’s “Halo” and a powerful “The Greatest Showman” number, “A Million Dreams.” It was after this number when we were asked to standby.


The TNT Boys performed “Bawat Isa Ay Bata,” official theme song of Bantay Bata 163 where they have donated the cash prize they have obtained from The Kids’ Choice.


With Sir Froi on keyboard, the trio performed “I Wanna Look That Way.” As they performed the said song, the songs lyrics were flashed on the LED backdrop.

With Sir Froi, the man behind the TNT Boys’ stellar vocal blend, as well as the formation of the BFFC Singers


Comedian Vice Ganda was the biggest act among that night’s guests as the crowd roared when he appeared in his unicorn-like costume. The TNT Boys were wholeheartedly thankful for Meme Vice who was one of the reasons why the TNT Boys were formed.

They performed DoReMi (Donna Cruz, Regine Velasquez, and Mikee Cojuangco)’s “I Can.” Meme Vice was extremely spontaneous that he continued doing his usually impromptu banter. He encouraged everyone to watch his upcoming film “Fantastica” before he exited the stage.


The BFFC Singers (where I became part of), conducted by the Songsmith himself, opened the Christmas segment with their version of Ukranian carol based from the folksong “Shchedryk,” “Carol of the Bells.” I first learned this song back in high school and it was extremely crucial for the words to be clearly enunciated. This has been one of the challenging songs for choirs, not only because of its speed. Crispness is a must for this piece.

BFFC Singers!


Okay, back to the show, we, together with the TNT Boys performed Jingle Bells, complete with Christmas elements. I personally enjoyed doing this number as I found this quite cute. I ended up smiling during the entire song. We next did O Holy Night. This time, the boys’ whistles were executed more neatly.

A live choral doll? 🙂  I kept on thinking about Gossip Girl’s Blair Waldorf because of my bowtie. This is one of the cutest costumes I have worn in my entire existence as a performer.

Petula Clark’s “Downtown” and Jessie J’s “Flashlight” were the songs dedicated to the trio’s supporters. As they performed “Flashlight” a live feed of the Araneta audiences were shown. The show ended with the boys’ emotional version of Beyonce’s “Listen,” the song that became a road to their success.


Of all the choral performances I have been part of, I have enjoyed doing this the most. The atmosphere was quite light and I felt I was able to deliver with minimal tension. I have always reminded myself to keep calm, focus, and enjoy.


Going back to the concert itself, the theme for each segment was not only kid-friendly. The songs performed by the trio were inspirational, which are enjoyed by both the young and old. For the record, the TNT Boys are the youngest acts who showcased a successful concert at the Big Dome. Congratulations to the TNT Boys, as well to the people behind them, especially Sir Froi*, their vocal coach who continues to guide them not only to become better singers but to also remain humble and friends with each other. 

With THE TNT Boys


*- I personally thank him for giving me the opportunity to not only perform as one of the backing vocalists, but to also become part of the TNT Boys’ success that night. 🙂

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Travel

Music in the Transportation in the Philippines

I started commuting to and from school since 2015, due to the continuously increasing traffic volume in the Metro. It takes two jeepney rides and an LRT ride to school everyday. I rarely take the taxi for it already composed of a huge chunk of my weekly allowance. I only do so in extreme cases (i.e. LRT broke down so I needed to be in school for an hour).

Usually, when I am with my dad, we listen to either Retro 105.9 or Wish 107.5. Both my dad and I loved listening to songs of the yesteryears, from the 1960s up to around the 1980s, as well as few of the songs from the contemporary. However, most of the public transportation drivers here in the Philippines do not just prefer listening to the top hits of the present. They likewise loved listening to power ballads and so-called “jukebox” hits. I asked my dad why such drivers loved listening to these types of music. He mentioned that they needed to listen to something that keeps them awake while on transit, especially if the trip would last for at least eight hours.

Yesterday, a new song entitled, “Tumahan Ka Na” by Tawag ng Tanghalan Grand Champion Noven Belleza was launched on the airwaves. It reminded me of the songs I usually hear on the taxi’s radio, not only because of Noven’s distinctly high and rockstar-ish tenor voice. The song’s melody, as well as Noven’s vocal timbre, reminded me of the Rockstar band’s hit songs, such as “Mahal Pa Rin Kita” and “Ika’y Mahal Pa Rin“, as well as April Boy Regino’s “Esperanza“. It likewise reminded me of Firehouse’s “I Live My Life” and  “Love of A Lifetime”. I actually liked the song’s lyrical content for it reminded me that in every struggle, there is always an opportunity to move on and start anew.

Here’s Noven’s “Tumahan Ka Na”:

Okay, going back to my discussion, in my bus trips to the northern part of Luzon, such as Cagayan and Baguio City, aside from the songs of Firehouse, I usually heard songs from other power ballad bands such as White Lion (“Till Death Do Us Part” and “You’re All I Need), Steve Perry-led Journey (“Open Arms” and “Faithfully”), and Aegis (“Halik“, “Basang-Basa Sa Ulan“, and “Luha”). Sometimes, I heard a few songs from Renz Verano and Imelda Papin.

I have been reading the Mabuhay magazine, the international inflight magazine of Philippine Airlines, where the playlist was provided at the end of the page. What I saw were mostly songs from Filipino singers like Gary Valenciano, Martin Nievera, Erik Santos, Jed Madela, among others, as well as songs from the American Top 40 and even Kenny G’s songs. PAL’s playlists were almost the same as Cathay Pacific’s and Dragonair’s.

Depending on the mode of transportation, the playlist (sometimes, but not necessarily) defines its target audience, as well as the overall feel during transit.

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