Music

Music Performances on Transit!

Hello friends! I’m back (for now). How are you all doing? It’s been a while since I wrote my last post, as I got myself focused in school and other endeavors.

Sing Philippines Youth Choir’s Flash Mob performance inside the LRT-2 Train (Video courtesy of the Cultural Center of the Philippines)

It has been three years ago since I became part of this historical event. Little did I knew that performances, such as this one, would actually happen inside the train.

However, it was only a few days ago when I remembered about the LRT and MRT station performances. Held in the year 2007, concerts were rendered by the students and faculty of St. Scholastica’s College School of Music, as part of its centennial celebration activities (Estopace, 2007).

More details related to the LRT and MRT concerts rendered by St. Scholastica’s College may be read here: https://www.philstar.com/other-sections/starweek-magazine/2007/01/28/382237/one-hundred-years-music-education

Fast forward to 2018, Philpop, in collaboration with the Organisasyon ng Pilipinong Mang-aawit (OPM), held a series of concerts held at various LRT-1 stations. Some of the notable artists were Volts Vallejo, Jex de Castro, Ace, Dyamante, and many more.

Daily commutes will never be the same again with live performances as spectacular as these!

Advertisements
Standard
Entertainment, Music

PHILPOP 2018 Top 10 Finalists (A Review)

During the Pinoy Playlist concert held at the Maybank Performing Arts Theater on October 18, the Top 10 finalists for the Philpop Festival were announced. From the Top 30, the Top 10 finalists were selected, based on the following criteria:

                            50% – judges
                            25% – online streaming
                            25% SMART People’s Choice (through SMS and Twitter’s
conversational ad

With a total of 100%.

The Finals Night will be held on December 2 at the Capitol Commons in Pasig City.

Here are the Top 10 entries for Philpop. In this post, I will describe some of the song’s details, in terms of lyrics and musical content, as well as my verdict.

  1. Ako Ako 

Ako Ako” is a pop-rock song composed by Jeriko Buenafe and interpreted by alternative rock band Feel Day and theater actor Hans Dimayuga. It talks about two men fighting over a woman who is struggling to choose between the two. The “Sabi niya ako” counterpoint was seamless that it actually represented how the two men argued over the woman they like.

2. Di Ko Man

Di Ko Man” is a fresh take on OPM. Since the Filipino music industry is dominated by the Tagalogs, BisPop has become alive once again, after the eras of Max Surban and Yoyoy Villame. Composed and interpreted by Ferdinand Aragon, it is a Cebuano song with an indie-ish acoustic feel. It talks about the traditional concept of love: untainted and innocent.

 

3. Isang Gabing Pag-ibig

Isang Gabing Pag-ibig” is a ballad composed by Carlo Angelo David and interpreted by Tawag ng Tanghalan’s “Balladeer Extraordinaire” Jex de Castro. It talks about experiencing love at first sight. De Castro’s voice was full of emotions in the chorus and bridge parts and his dynamic levels were varied. Not to mention, de Castro’s voice was reminiscent of Lee Ryan, lead singer of British boy band Blue.

4. Kariton

In a sea of love songs, “Kariton” is a song that rather focuses on a social issue.  Composed by Philip Arvin Jarilla and interpreted by Acapellago, it talks about the daily struggles of every Filipino who makes a living with his kariton (cart). Countertenor Almond Bolante’s solo parts in the first stanza were powerful, as well as his ad-lib parts towards the latter part of the song. The harmony, arranged by JC Jose, was also performed seamlessly. The keyboard and guitar progressions added strength to the song.

5. Laon Ako

Laon Ako” is written by Elmar Bolaño and Donel Trasporto and interpreted by singer-comedian Kakai Bautista (Remember Rak of Aegis?). While “laon” means that something is not that fresh anymore like rice, it has a feminist theme, which tells that having a significant other is not that important to make a woman become fulfilled. Apart from her birit routine performed on television, Bautista’s vocals were rather light, which matched with the song’s theme.

6. Loco de Amor

“Loco de Amor” is a humorous song composed by Edgardo Miraflor Jr. and interpreted by the BennyBunnyBand. With the song’s Afro-Latin musical theme, it talks about a man who has an affinity with an allegedly Spanish girl. Hence, the heavily corrupted Spanish lyrics. Since “Loco de Amor” is loosely translated as “crazy in love,” some words and names associated with sex were even included, such as the association of “sabor” (taste) to a girl and “Mang Kanor,” an infamous person associated with sex scandals.

7. Nanay Tatay

Nanay Tatay” is another song that tackled a social issue. Composed and interpreted by Chud Festejo, it talks about the different types of street children: beggar, Sampaguita vendor, and even a drug pusher. It also talks about child trafficking. The usage of the “Nanay, tatay” game song was witty, which added impact to the song’s overall narration. The “Isa, isa dalawa,” hook added impact to the song’s overall theme.

8. Pilipit

Pilipit” is a song written by Sean Gabriel Cedro and John Ray Reodique. Interpreted by Julian Trono, it talks about a man who is struggling to confess his feelings to the girl he likes.

9. Tama Na

Tama Na” is a ballad composed by Michael Rodriguez and Jeanne Columbine Rodriguez. Interpreted by “Suklay Diva” Katrina Velarde, the song talks about closure of a failed relationship and starting over a new one. The song’s instrumentation needed more variations to allow Velarde to variate her vocal ability as well. Velarde’s voice was undeniably powerful, however.

10. Yun Tayo

Yun Tayo” is a pop-rock song composed by Donnalyn Onilongo and interpreted by the Gracenote band. It talks about frequent cancellations of plans (lakad, in Tagalog) by making various excuses. The song’s feel is suitable for driving.

 

Those are the Top 10 entries for this year’s Philpop. Given the comments I have stated, my top entries for this year are the following: Aragon’s “Di Ko Man,” de Castro’s “Isang Gabing Pag-ibig,” Acapellago’s “Kariton, Bautista’s “Laon Ako,” Festejo’s “Nanay Tatay,” and BennyBunnyBand’s “Loco de Amor.” 

 

Standard